17 December 2025
/ 17.12.2025

Avatar returns to Pandora, to talk about the burning Earth

Starting in theatres today, "Avatar: Fire and Ashes." The third instalment of James Cameron's saga uses science fiction to depict environment, power and conflicts that remind us of our own

Starting today Avatar: Fire and Ashes is in theatres and is already smelling like an Oscar. It is the third chapter in the saga created by James Cameron, which began in 2009 and is set on Pandora: a planet far from Earth, inhabited by the Na’vi, an indigenous people in deep balance with the natural environment around them. A fictional world that, in film after film, has become one of the most recognisable in contemporary cinema.

At the centre of the story is Jake Sully, a former human marine who has chosen to live as Na’vi, and Neytiri, a warrior of the local people. In the first two films, their battle was directed primarily against the RDA, a powerful Earth-based organisation interested in exploiting Pandora’s resources without any regard for the ecosystems or those who inhabit them. A simple dynamic to understand: colonisation, extraction, militarisation.

A conflict that comes not only from outside

Fire and Ashes restarts from that conflict, but introduces a new element. Pandora is no longer told as a united front resisting outside invasion. Enter the Ash People, a Na’vi tribe living in territories marked by fire and destruction, led by Varang. It is an important turning point: the danger comes not only from humans, but also from choices of power and violence within the world of Pandora itself.

This novelty makes the narrative less schematic and closer to reality. The film shows how environmental devastation is not only the result of industrial exploitation from outside, but also of conflicts, alliances, and ambitions that run through every society. There are no worlds that are pure or immune to the risk of destroying what sustains them.

Fire as a symbol of the environmental crisis

The title is not accidental. After water, the central element of the previous chapter, fire dominates here. Fire as a weapon, as a means of control, as a symbol of irreversible change in natural balances. Where fire passes, ashes remain-a condition that makes reconstruction more difficult than mere resistance.

The family dimension also takes on a key role. Jake and Neytiri are not just fighting to defend a territory, but to protect their children and the future of the next generation. It is a point that makes the environmental message concrete and understandable: nature conservation is not an abstract idea, but a choice that affects those who will come after us.

Visually, Cameron continues to use advanced technologies, such as 3D and motion capture, to build an immersive experience. The special effect serves to make tangible the beauty of an ecosystem and, consequently, the gravity of its destruction.

Avatar: Fire and Ashes tells a self-contained, understandable story that uses science fiction to talk about very real issues: resource exploitation, armed conflict, environmental crisis. Pandora remains light years away from Earth, but the questions it raises are immediately recognisable. And they concern us all.

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